Day began.
‘Cold
filled the air, made it denser; its presence - due to a lack of ice or snow -
was invisible, but everything within its reach felt the icy touch, an unwanted
caress. Its smell suggested purity, a
cleansing that would wipe away the effects that heat brings to existence - the
explosion of fecundity and passion to exist and grow the summer sun brings. The
absence that death brings was instilled in its touch, as all warm blooded creatures
instinctively knew. Grey sky and weakened light accompanied the cold, as did
the sound of lapping waves as they obeyed the pull of the moon and made their
way up the pebble filled beach. The implacable waves were the only movement
that brought the place to life and prevented it from being a tableau of the
emptiness of existence.’
“Enough,
enough, I can’t stand another word,” wailed pebble 107092; “always with the
death, death.” Its smooth surface unable to wear the frown it couldn’t perform.
A solitary seagull made its
way across the grey sky
scanning below for any signs
of food and sounding
its raucous call.
“Have
you no heart, pebble 107092?” protested pebble 12887236, in a vibration that
would have not been out of place on the face of a soap actor in one of their execrable
love scenes, which are about as convincing as the real life daily lives they
are supposed to present a verisimilitude of.
“Of
course not, I’m a pebble.” The obviousness of this statement increased the
seeming silence of the small bay the pebbles found themselves in. To say that
it was one ‘lay’ or ‘found a home’ in would infer a choice and will which were
denied to them both, like the very Earth itself and its progress around the
sun, or the land and the seasons which force change on it like a child as it
grows from its safe-feeling innocence into adulthood.
“Excuses,
excuses, always the clever excuses,” said pebble 12887236 with a familiar air
of resigned exasperation, like Sisyphus when he stares up at the path ahead.
“Where’s your soul? Where’s your essence?”
“Always
with the ‘soul,’ with the ‘essence.’ I’m a pebble not Wordsworth or Keats. If
you want that nonsense, go over to 11673, she’s always trying to capture the
meaning of existence, usually on an urn.” The influence of Woody Allen’s
religious roots in the characterization in him films ricocheted off 107902 like
accusations to a malignant narcissist.
White and grey tipped wings
manipulated air around them;
streamlined shape of the body
slipped through seemingly empty
space, cold atmosphere of Winter:
a still life
painter
with a nihilistic
touch
whose brush was bristled with
entropy
and decay and palette an
imbalance
of live and dead colours.
“A
joker, always the joker; like I can roll over to that side of the beach!” Non
existent arms were raised and held up to the gloom in search of an agreement at
the idiocy that 12887236 was hearing. The sought after agreement was like the
non existent arms, however.
“Then
do me a favour and leave out the gloom and death. I’m freezing my granular
matrixes off here,” said 107902 in a shivering voice, if he had one.
“Oh,
so you have no ‘essence’ but you feel the cold!” Plato’s archetype eyes rolled
in absence of real ones.
Still alone, the seagull rose
fell and circled, a pattern
mirrored in the landscape
as the days and weeks passed
and the image presented to the
sky withered down to a sun
and heat deprived minimum
– a survivor of Dachau -
“I
said ‘always,’ didn’t deny. Of course I have essence. I’m here. I’m cold. I
have protons, neutrons and electrons whizzing around me in so much space that
I’m not sure if I’m really here. I never said I didn’t, I just wish that it
would be warmer like summer.” Both pebbles attempted to turn their backs on
each other, which, for obvious reasons, was as effective as man and woman
agreeing what to do in the evening after a day spent in the sales or out
watching his mate’s team play. The intention was clear, though, as the pebbles
surrounding them knew from all too frequent experience.
“The
summer, the summer, you and the summer.
‘Oh the heat, the warm air, the soothing water…’ Pah. More like the
feet, feet, endless, remorseless feet.” Memories of summers past fuelled the
repetition of ‘feet’ and set a deliberate dichotomy to the idyll of the longed
for summer of 12887236. 107902 who loved the symbolism behind dichotomies,
dualisms and all the opposites which are used to explain existence that his
granular matrixes were incapable of comprehending always appreciated the way
12887236 used them.
“Feet
I can put up with. Well, apart from the heavy oh so heavy ones that take me
back to my birth. I tell you, feet are nothing to the pressure I was under
then.’ The boom, boom of the planned pun echoed from its non utterance as a
mischievous light filled absent eyes and forged the same grin.
“You
and your puns. Any excuse for a pun.” If a pebble could express the loss of the
will to live, 12887236 would have expressed it as he felt the affects of in
his, non possible, view a pun too far.
“What
do you expect with all your moaning and sighing. You sound like a kettle on a
range as it’s coming to the boil; you’d make my blood boil sometimes, if I had
any.” Further mirth and schadenfreude filled faux malice showed itself in
107902’s super string theory vibrations. He loved winding his neighbour up.
before burgeoning once again in a
form that reflected the glory
of life:
full of shapes, sizes and
colours,
a collage of the pleasant and
prosperous
now that banishes out the
shades of
grey that lead to the ultimate
darkness.
“Who
could blame me with the cold and the grey and the long nights and the freezing
water. I’d drown myself if I could,” Proust would have noticed the Bergman like
oxymoronic revelling in the cold nihilism of existence as a speciality of
12887236 and one – like all often repeated and assimilated foibles – that
didn’t register in his consciousness, as many people supposed the changing of
the seasons would fail to register on all of the inanimate objects that formed
the beach; in this, they were wrong: leave a book on a table by an uncurtained window for a year
and the passing seasons will leave their mark, and would comment as before
before letting 12887236 continue “especially if I could get away from your ‘I
don’t trust muscles, they seem rather shellfish.’ ‘Is the sea taking the piss!
it’s just weed all over me.’ A pebble can only take so much before he cracks
up.” Even though smoothness and non expression was his natural state, 107902
found it difficult to hide his feelings of his success as 12887236 emanated
these words from his atomic core.
“Calm
yourself, 12887236, you’re eggsaggerating it, surely, over egging the point.”
The absence of the (due to the by now plainly stated and probably over played
conceit) absence of an angry retort was as conspicuous as an elephant at a
fleas tea party.
The raucous cry pierced the air
once more calling for another
so that both could be joined
and look down upon this part
of the world that endured
Winter’s
grip with the same resilience as
the
feathers
above accepted the icy air.
“That’s
it. I’ve had it. Next high tide I’m moving,” said 12887236, in exasperated frustration
and attempting with all his might to do the impossible – thanks to that bastard
gravity- to move on his own accord.
“Don’t
forget to wave as you go,” replied 107902 mirthfully.
‘The
empty shoreline stretched in front of them, a desolate and unamused smile
between the land and the sea. Grey gradually began to turn to black and the
encroaching tide reclaimed what it thought should be its, smothering the beach
in a possessive presence.’
(“Always
having to have the last word,” vibrated its way through to the surface of the
sea and out into the darkness beyond – where in the aftermath of the Big Bang
these vibrations would end up in their journey of continual presence and
absence…)
I really enjoyed this, I think the contrast of the verse and the bickering pebbles works well and the idea of the pebbles narrating their view of the beach is interesting and handled here very wittily. It makes me think a bit of Tom Robbins, particularly Skinny Legs and All, I think is the one where a tin of beans, a spoon and maybe a stick narrate the action... I haven't read it in years but Robbins has that same zany intellectual playfulness that this piece has so I recommend it if this is your bag!
ReplyDeleteTotally zany! I enjoyed the atmospheric opening and then - bang - out of the blue comes the madness of the pebbles and the tone switched from death to humour. As I mentioned offline, I think you've got a real essence of Woody Allen here (at least, the humour "feels" Jewish and my knowledge of Jewish humour is pretty limited to Woody Allen!). The juxtapositioning / interweaving of the humour and the poetry and the comedy is interesting. I don't know if it's entirely necessary – the poetry could probably stand on its own (as could the comedic prose) – but really enjoyable any which way.
ReplyDeleteHi Mark, we haven't met but it's great to have you on the blog! Hopefully we can all help each get more out of our writing (and encourage each other to just keep writing too!). :)
ReplyDeleteThis is a hilarious idea, the pebbles' perspective, and the smallness and inanimate nature offers great comedy moments. I feel as if it's a Monty Python sketch, one of the cartoons, and the great foot is going to land down and crunch all the pebbles into disarray, when they're all just waiting to be moved by the tides!
I think there are so many ideas here that you could take this in several different ways - it's quite overwhelming as a whole right now. The poem works well (as Alison also noted) on its own and could probably evolve its own direction, and the comedy is perhaps overwhelmed at times by the many clever references the pebbles make - it almost obscures the 'personalities' that are being shown from the pebbles. That said, i think there's a very entertaining story fighting against a more intellectual one here and the two could perhaps collide even more closely through 'conversation', almost like a battle of minds rather than bickering? Or even be presented as a radio play or something similar... basically, there is tons of potential here and a wealth of great ideas - the next challenge would be (from my perspective) breaking some of these ideas up and honing them in different directions.
finally, I love the inventiveness of this idea, from a simple prompt about the beach at night. Pulling this back to a beginning of all things is a bold and daring move!
Hi Kerry,
Deletethanks for your welcome to the blog and constructive comments on my piece.
I am a bung it all in and see how it turns out type of writer, usually because the idea I started off with or one image or word will spark off others etc. Discipline has never been a strong point.
I will try to be less inclusive and more focused in the 3rd prompt (already submitted for the 2nd)
Mark